{"id":20,"date":"2021-12-16T16:21:57","date_gmt":"2021-12-16T16:21:57","guid":{"rendered":"https:\/\/www.femmeharmone.com\/?page_id=20"},"modified":"2022-12-29T15:45:20","modified_gmt":"2022-12-29T15:45:20","slug":"sziraky-nocturne","status":"publish","type":"page","link":"https:\/\/www.femmeharmone.com\/eng\/a-noi-dimenzio\/i-evfolyam-1-szam\/tancmuveszet\/sziraky-nocturne\/","title":{"rendered":"<em>Szir\u00e1ky G\u00e1bor:<\/em> Nocturne"},"content":{"rendered":"<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gabor Sziraky: Nocturne\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/T6PP4GkG6-A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Koreogr\u00e1fus \u00e9s rendez\u0151: Szir\u00e1ky G\u00e1bor<\/strong><br><strong>Zene: Frederic Chopin: Nocturne in E-minor, Op. 72 No.1<\/strong><br><strong>El\u0151ad\u00f3: Bog\u00e1nyi Gergely, Kossuth-d\u00edjas zongoram\u0171v\u00e9sz<\/strong><br><strong>Sz\u00f3list\u00e1k: Golovyna Yuliya \u00e9s Radziush Mikalai, Magyar Nemzeti Balett<\/strong><br><strong>Operat\u0151r: G\u00e1bor Andr\u00e1s<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:63px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<p>Nem vagyunk k\u00f6nny\u0171 helyzetben, amikor a n\u0151is\u00e9gr\u0151l a leg\u00e1ltal\u00e1nosabban v\u00e9ve olyan \u00e9rv\u00e9nyes \u00e1ll\u00edt\u00e1sokat szeretn\u00e9nk megfogalmazni, amelyek nemcsak a megtapasztalt m\u00faltra, hanem a jelenre is, \u00e9s az ismeretlen j\u00f6v\u0151re is \u00e9rv\u00e9nyesek. Ebben kimer\u00edthetetlen forr\u00e1s sz\u00e1munkra a m\u0171v\u00e9szetek olyan absztrakt form\u00e1ja, mint a zene \u00e9s a t\u00e1nc. Saj\u00e1ts\u00e1gos nyelv\u00fck laza kapcsolata a kult\u00fara mindenkori id\u0151f\u00fcgg\u00e9s\u00e9vel olyan elm\u00e9ly\u00fcl\u00e9sre ad m\u00f3dot, amib\u0151l tekintet\u00fcnket felemelve, es\u00e9ly ny\u00edlik a megfelel\u0151 ig\u00e9ket kimondani.<\/p>\n<p>Szir\u00e1ky G\u00e1bor klasszikus koreogr\u00e1fi\u00e1j\u00e1ban, Bog\u00e1nyi Gergely ihletett Chopin el\u0151ad\u00e1s\u00e1ra a szem\u00fcnk el\u0151tt \u00e9s f\u00fcl\u00fcnk hallat\u00e1ra elevenedik meg a n\u0151 dr\u00e1m\u00e1ja \u00fagy, amint bels\u0151 vil\u00e1g\u00e1b\u00f3l a f\u00e9rfi \u00e9rint\u00e9sre v\u00e1lik az \u00e9let hordoz\u00f3j\u00e1v\u00e1. Az \u00e9let \u00e9bred\u00e9s\u00e9nek aktus\u00e1t a nappalok n\u00f6veked\u00e9s\u00e9nek jelen\u00e9be a val\u00f3s\u00e1gos t\u00e9rben test\u00fck szabad megform\u00e1l\u00e1s\u00e1val Yuliya Golovyna \u00e9s Radziush Mikalai vezetik \u00e1t a gondolatot a manifeszt er\u0151t\u00e9rbe. T\u00e1ncm\u0171v\u00e9szet\u00fck nem hagy k\u00e9rd\u00e9seket maga ut\u00e1n.<\/p>\n<p style=\"text-align: right;\"><em>(Szerk.)<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Koreogr\u00e1fus \u00e9s rendez\u0151: Szir\u00e1ky G\u00e1borZene: Frederic Chopin: Nocturne in E-minor, Op. 72 No.1El\u0151ad\u00f3: Bog\u00e1nyi Gergely, Kossuth-d\u00edjas zongoram\u0171v\u00e9szSz\u00f3list\u00e1k: Golovyna Yuliya \u00e9s Radziush Mikalai, Magyar Nemzeti BalettOperat\u0151r: G\u00e1bor Andr\u00e1s Nem vagyunk k\u00f6nny\u0171 helyzetben, amikor a n\u0151is\u00e9gr\u0151l a leg\u00e1ltal\u00e1nosabban v\u00e9ve olyan \u00e9rv\u00e9nyes \u00e1ll\u00edt\u00e1sokat szeretn\u00e9nk megfogalmazni, amelyek nemcsak a megtapasztalt m\u00faltra, hanem a jelenre is, \u00e9s az ismeretlen j\u00f6v\u0151re&hellip;<\/p>","protected":false},"author":1,"featured_media":0,"parent":333,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"page-article.php","meta":{"inline_featured_image":false,"footnotes":""},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/pages\/20"}],"collection":[{"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/comments?post=20"}],"version-history":[{"count":31,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":3064,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/pages\/20\/revisions\/3064"}],"up":[{"embeddable":true,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/pages\/333"}],"wp:attachment":[{"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/media?parent=20"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/categories?post=20"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/tags?post=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}