{"id":2791,"date":"2022-12-01T00:50:18","date_gmt":"2022-12-01T00:50:18","guid":{"rendered":"https:\/\/www.femmeharmone.com\/?page_id=2791"},"modified":"2022-12-13T14:14:13","modified_gmt":"2022-12-13T14:14:13","slug":"hajnady-zoltan-anna-harom-arckepe-festes-szavakkal-a-kepleiras-szerepe-tolsztojpoetikajaban","status":"publish","type":"page","link":"https:\/\/www.femmeharmone.com\/eng\/a-noi-dimenzio\/ii-evfolyam-kulonszam\/nofelfogas-es-abrazolas\/hajnady-zoltan-anna-harom-arckepe-festes-szavakkal-a-kepleiras-szerepe-tolsztojpoetikajaban\/","title":{"rendered":"Hajn\u00e1dy Zolt\u00e1n:<\/em> Anna h\u00e1rom arck\u00e9pe. Fest\u00e9s szavakkal. A k\u00e9ple\u00edr\u00e1s szerepe Tolsztoj
po\u00e9tik\u00e1j\u00e1ban"},"content":{"rendered":"

DOI: 10.55344\/andfhksz.2201046<\/a><\/p>\n\n\n\n

Absztrakt<\/em><\/p>\n\n\n\n

A tanulm\u00e1ny Anna Karenina h\u00e1rom portr\u00e9ja kapcs\u00e1n arra a k\u00e9rd\u00e9sre keresi a v\u00e1laszt, mi a k\u00e9ple\u00edr\u00e1s (ekfr\u00e1zis)<\/em> szerepe Tolsztoj po\u00e9tik\u00e1j\u00e1ban? Feloldhat\u00f3-e a wittgensteini antin\u00f3mia: \u201eamit mutatni lehet<\/em>, azt nem lehet <\/em>mondani.\u201d K\u00e9pes-e egy verb\u00e1lis sz\u00f6veg vizu\u00e1lis ill\u00fazi\u00f3t kelteni, az olvas\u00f3t n\u00e9z\u0151v\u00e9 v\u00e1ltoztatni? Megvil\u00e1g\u00edthat\u00f3-e az egyik m\u0171faji tartom\u00e1nyba tartoz\u00f3 alkot\u00e1s egy m\u00e1sik m\u0171faj seg\u00edts\u00e9g\u00e9vel? Vannak-e a k\u00e9ple\u00edr\u00e1shoz megfelel\u0151 po\u00e9tikai eszk\u00f6z\u00f6k? Tolsztoj az alakokat \u00e9s a t\u00e1rgyakat oly \u00e9leth\u0171en festi meg \u00e9s \u00e1ll\u00edtja az olvas\u00f3 szeme el\u00e9, hogy bizonyos \u00e9rtelemben a le\u00edr\u00e1sb\u00f3l gondolati k\u00e9pet, virtu\u00e1lis festm\u00e9nyt form\u00e1l. A t\u00e9rbelis\u00e9g id\u0151belis\u00e9gbe ford\u00edt\u00e1s\u00e1val \u00e1tt\u00f6ri az \u00e1br\u00e1zolhat\u00f3 \u00e9s a le\u00edrhat\u00f3 k\u00f6zti hat\u00e1rvonalat: a nyelvi vil\u00e1gb\u00f3l \u00e1tl\u00e9p a k\u00e9pi vil\u00e1gba, az olvas\u00f3t n\u00e9z\u0151v\u00e9 v\u00e1ltoztatja.<\/p>\n\n\n\n

Kulcsszavak:<\/em> <\/em>ekfr\u00e1zis, vizu\u00e1lis reprezent\u00e1ci\u00f3 verb\u00e1lis reprezent\u00e1ci\u00f3ba ford\u00edt\u00e1sa \u00e9s vice versa<\/em>, Anna h\u00e1rom portr\u00e9ja, az arc epif\u00e1ni\u00e1ja.<\/p>\n\n\n\n

Three Portraits of Anna. Painting with Words. The Role of Description in Tolstoy\u2019s Poetics<\/strong><\/p>\n\n\n\n

Abstract<\/em><\/p>\n\n\n\n

In connection with the three portraits of Anna Karenina, the present study seeks to answer the question, what is the role of ekphrasis in Tolstoy’s poetics? Can Wittgenstein’s antinomy be resolved: \u201fwhat can be shown cannot be said\u201d. Can a verbal text create a visual illusion and turn the reader into a spectator? Can one genre shed light on a work of art belonging to the realm of another genre? Moreover, are there any poetic devices suitable for the description of paintings? Tolstoy draws characters and objects so vividly and offers them to the readers\u2019 sight in such a manner as to turn descriptions into mental images or virtual paintings. By turning spatiality into temporality, he breaks the boundaries between depiction and description: he passes from the realm of language into the world of pictures, turning his readers into spectators. <\/p>\n\n\n\n

Keywords:<\/em> ekphrasis, verbal representation of visual representation and vice versa<\/em>, three portraits of Anna, <\/strong>\u201ethe epiphany of the face is entirely language\u201d.<\/p>\n\n\n\n

<\/div>\n\n\n\n
<\/object>ND_2022KSZ_v2_2_HajnadyZoltan<\/a>Let\u00f6lt\u00e9s<\/a><\/div>","protected":false},"excerpt":{"rendered":"

DOI: 10.55344\/andfhksz.2201046 Absztrakt A tanulm\u00e1ny Anna Karenina h\u00e1rom portr\u00e9ja kapcs\u00e1n arra a k\u00e9rd\u00e9sre keresi a v\u00e1laszt, mi a k\u00e9ple\u00edr\u00e1s (ekfr\u00e1zis) szerepe Tolsztoj po\u00e9tik\u00e1j\u00e1ban? Feloldhat\u00f3-e a wittgensteini antin\u00f3mia: \u201eamit mutatni lehet, azt nem lehet mondani.\u201d K\u00e9pes-e egy verb\u00e1lis sz\u00f6veg vizu\u00e1lis ill\u00fazi\u00f3t kelteni, az olvas\u00f3t n\u00e9z\u0151v\u00e9 v\u00e1ltoztatni? Megvil\u00e1g\u00edthat\u00f3-e az egyik m\u0171faji tartom\u00e1nyba tartoz\u00f3 alkot\u00e1s egy m\u00e1sik m\u0171faj…<\/p>","protected":false},"author":1,"featured_media":0,"parent":2725,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"page-article.php","meta":{"inline_featured_image":false,"footnotes":""},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/pages\/2791"}],"collection":[{"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/comments?post=2791"}],"version-history":[{"count":14,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/pages\/2791\/revisions"}],"predecessor-version":[{"id":2992,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/pages\/2791\/revisions\/2992"}],"up":[{"embeddable":true,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/pages\/2725"}],"wp:attachment":[{"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/media?parent=2791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/categories?post=2791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/tags?post=2791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}