{"id":2801,"date":"2022-12-01T01:11:24","date_gmt":"2022-12-01T01:11:24","guid":{"rendered":"https:\/\/www.femmeharmone.com\/?page_id=2801"},"modified":"2022-12-09T16:57:36","modified_gmt":"2022-12-09T16:57:36","slug":"bodo-marta-ferfi-kanon-es-noi-misztika","status":"publish","type":"page","link":"https:\/\/www.femmeharmone.com\/eng\/a-noi-dimenzio\/ii-evfolyam-kulonszam\/no-ferfi-szimbiozis\/bodo-marta-ferfi-kanon-es-noi-misztika\/","title":{"rendered":"Bod\u00f3 M\u00e1rta:<\/em> F\u00e9rfi k\u00e1non \u00e9s n\u0151i misztika"},"content":{"rendered":"

DOI: 10.55344\/andfhksz.2201123<\/a><\/p>\n\n\n\n

Absztrakt:<\/em><\/p>\n\n\n\n

A szerz\u0151 elm\u00e9let\u00e9ben felveti, miszerint a k\u00e1non<\/em> versus misztika<\/em> szembehelyezked\u0151 fogalmai nemek szerint is meghat\u00e1rozhat\u00f3k. Bevezet\u0151j\u00e9ben illusztr\u00e1ci\u00f3k\u00e9nt megid\u00e9zi M\u00f3ricz Zsigmond \u00e9s Ady Endre Kaffka Margit sz\u00e1zadfordul\u00f3s irodalmi m\u0171veinek sz\u00f3l\u00f3 kort\u00e1rsi kritik\u00e1j\u00e1nak sz\u00f6veg\u00e9t, melynek elemz\u00e9se r\u00e9v\u00e9n vil\u00e1gos, hogy k\u00fcl\u00f6n\u00f6s jelent\u0151s\u00e9gre tesz szert a n\u0151\u00edr\u00f3 professzion\u00e1lis k\u00e9pess\u00e9ge \u00e9s az el\u0151\u00edt\u00e9lek k\u00f6zt fesz\u00fcl\u0151 dilemma. Ezut\u00e1n r\u00f6vid \u00e1ttekint\u00e9s k\u00f6vetkezik a n\u0151i professzionalizmus meg\u00edt\u00e9l\u00e9s\u00e9nek eur\u00f3pai t\u00f6rt\u00e9net\u00e9r\u0151l, kezdve a k\u00e9rd\u00e9s \u00f3g\u00f6r\u00f6g filoz\u00f3fusokn\u00e1l megfogalmazott v\u00e1ltozatain\u00e1l, eg\u00e9szen a 19. sz\u00e1zad v\u00e9g\u00e9ig. A k\u00e1non (m\u00e9g olyan form\u00e1iban is mint a sz\u00f6vegk\u00e1non, egyh\u00e1zi k\u00e1non, v\u00e9g\u00fcl az irodalmi k\u00e1non), a kultur\u00e1lis k\u00f3d, a hagyom\u00e1ny fenntart\u00e1sa ezzel szemben f\u00e9rfias jelens\u00e9gk\u00e9nt egyed\u00fcl a misztika fogalmi gondolkod\u00e1st kiz\u00e1r\u00f3 ter\u00fclet\u00e9be nem tud behatolni. \u00c9vsz\u00e1zadok sor\u00e1n ez a n\u0151i kreativit\u00e1s f\u0151 megnyilv\u00e1nul\u00e1si tere volt. A paternalista strukt\u00far\u00e1kkal szembeni sz\u00e1mottev\u0151 kih\u00edv\u00e1st jelent a n\u0151arc\u00fa egyh\u00e1z modellje is.<\/p>\n\n\n\n

Kulcsszavak:<\/em> n\u0151i professzionalizmus, n\u0151i kreativit\u00e1s, n\u0151irodalom, k\u00e1non, misztika.<\/p>\n\n\n\n

Male Canon and Female Mystics<\/strong><\/p>\n\n\n\n

Abstract:<\/em><\/p>\n\n\n\n

The author proposes a theory, according to which the opposed concepts of canon<\/em> versus mystics<\/em> can be alternatively defined on the basis of sex. In the introduction the text of the contemporary critique on Margit Kaffka\u2019s fin-de-si\u00e8cle literary works by Endre Ady and Zsigmond M\u00f3ricz are quoted, whose analysis makes is clear that the dilemma between a female writer\u2019s professional qualities and prejudice acquires unique importance. Hence follows a brief survey of the European history of the assessment of female professionalism, beginning with Ancient Greek philosophers up to the end of 19th century. On the contrary, canon (even in its forms, such as Textological Canon, Ecclesiastic Canon, and, eventually Literary Canon), cultural code, upholding tradition as masculine phenomena could not penetrate solely the realm of mystics, which excludes conceptual thinking. For centuries it has been the sphere, where feminine creativity could manifest itself. The model of a feminine-faced Church comes as a significant challenge for paternalistic structures, too.<\/p>\n\n\n\n

Keywords:<\/em> female professionalism, female creativity, female literature, canon, mystics.<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n
<\/object>ND_2022KSZ_v2_2_BodoMarta<\/a>Let\u00f6lt\u00e9s<\/a><\/div>","protected":false},"excerpt":{"rendered":"

DOI: 10.55344\/andfhksz.2201123 Absztrakt: A szerz\u0151 elm\u00e9let\u00e9ben felveti, miszerint a k\u00e1non versus misztika szembehelyezked\u0151 fogalmai nemek szerint is meghat\u00e1rozhat\u00f3k. Bevezet\u0151j\u00e9ben illusztr\u00e1ci\u00f3k\u00e9nt megid\u00e9zi M\u00f3ricz Zsigmond \u00e9s Ady Endre Kaffka Margit sz\u00e1zadfordul\u00f3s irodalmi m\u0171veinek sz\u00f3l\u00f3 kort\u00e1rsi kritik\u00e1j\u00e1nak sz\u00f6veg\u00e9t, melynek elemz\u00e9se r\u00e9v\u00e9n vil\u00e1gos, hogy k\u00fcl\u00f6n\u00f6s jelent\u0151s\u00e9gre tesz szert a n\u0151\u00edr\u00f3 professzion\u00e1lis k\u00e9pess\u00e9ge \u00e9s az el\u0151\u00edt\u00e9lek k\u00f6zt fesz\u00fcl\u0151 dilemma. Ezut\u00e1n…<\/p>","protected":false},"author":1,"featured_media":0,"parent":2729,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"page-article.php","meta":{"inline_featured_image":false,"footnotes":""},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/pages\/2801"}],"collection":[{"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/comments?post=2801"}],"version-history":[{"count":3,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/pages\/2801\/revisions"}],"predecessor-version":[{"id":2958,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/pages\/2801\/revisions\/2958"}],"up":[{"embeddable":true,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/pages\/2729"}],"wp:attachment":[{"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/media?parent=2801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/categories?post=2801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.femmeharmone.com\/eng\/wp-json\/wp\/v2\/tags?post=2801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}